Modérateurs : Aer, Equipe forum MATA-WEB
Culturama : Interviews, reportages, artbooks, doujinshis, quizz...
Pierre Pigot a écrit:Quand à leurs corps,, ils relèvent aussi de cette relative rondeur, tout en étant construits par leurs vêtements en plis raides - ces plis n'étant en réalité qu'une seule chose, la case ou la planche où ils seront déchiquetés, mis en pièces, devenus lambeaux de vagabond ou linceul de cadavre ensanglanté.
Pierre Pigot a écrit:un avatar dégradé de son prédécesseur
http://www.midnighteye.com/interviews/katsuhiro-otomo/ a écrit:A bomb explodes somewhere and a lot of people die. But if you see that event from a certain point of view, from a distance, it can become beautiful. A flash of light and flying sparks look beautiful when you see it at night, but what it really is is people being blown to bits. That's the absurdity; despair can become beauty from a different perspective.
Ramior a écrit:Quelqu’un peut me dire se que vaut le magazine le point?
Leur sujet actuel "Le monde musulman avant les Islamistes" m’intéresse et je voudrais savoir si leur article sont de qualité avant de payer.
je voudrais savoir si leur article sont de qualité
(Puis y'a pas qu'Akira qui en prend pour son grade, faut voir ce qu'il met dans Dragon Ball :p)
Most alarming is that, almost exclusively, the media being so strongly identified with is corporate and ruthlessly capitalist in nature. Star Trek might present an optimistic and inspiring vision of the future, which any American liberal would like to see, but it’s a vision wholly owned and operated by CBS. Star Wars is now held by Disney and all of their attendant copyright shenanigans. So, too, is Marvel Comics — a company recently focused to an alarming degree on denying ownership rights to its content creators (watching comic book fans contorting themselves in order to justify continuing to support Marvel while admitting their favorite creators are left destitute by the company’s practices is depressing). Even Dungeons and Dragons — market leader in a dwindling cottage industry — is run by a subsidiary of toy behemoth Hasbro.
As with so much of modern capitalist life, the acquisition and consumption of things serves as a substitute for actual class equality. If you have lots of cool stuff, why would you question whether your job sucks or whether your wage is fair? With the combination of imagined identity politics — which the new geek culture encourages — the alienation and loneliness of the working and middle classes is compounded. Practical ceilings on consumption and compartmentalized identity seal people off from their fellows even as they find commonality within their consumption cohort.
Tetho a écrit:Les films sur CR sont bloqués en France.
Yeah, I don’t want to read a book about oxford-cloth button-down shirts and madras. Ametora is actually, to an embarrassing degree, not about clothing design or the artistry of fashion. The book uses the rise of menswear in Japan as an example of how culture starts from scratch, how brands and media work to push trends, how subcultures reappropriate looks, how globalization works, and how the process of importation/explanation changes the nature of the culture. On that last point, the fact that the Japanese brand VAN Jacket had to bring in Ivy League clothing to a country that had never seen anything like it, meant that they had to explain everything with a bunch of strict rules. Even today, Japanese fashion magazines are very pedantic and specific in their guidance.
I’m more into the sociology of fashion than fashion.
Utilisateurs parcourant ce forum: Aucun utilisateur enregistré et 1 invité